Willis, on the other hand, sang in full operatic mode, pointing, gesturing, using her head and body along with her voice to project the character. 1 had a sweet voice but sang formally as if she was in a recital. The rules are that you show up with five songs under your belt, pick the first one, then the judges get to ask for any of the other four. And the snow falling outside Meany Hall at the University of Washington seemed like a good omen for the Alaskan.Ī better omen came with the first singer, a fairly weak soprano who sang a couple of predictable numbers. One thing counted in her favor: There was only one other mezzo on the list compared with seven sopranos and four baritones. It's luck of the draw, but coming on too early means a singer's good points may be forgotten by the time the judges hear the other dozen or so great voices that sing afterward. SEATTLE - I started to worry about Anchorage mezzo Lisa Willis' chances as soon as I opened the program for the Metropolitan Opera National Council Pacific Northwest auditions last Sunday afternoon and saw that she was second in the chute.
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